And, to be honest, that would include most of the non-North American population of the planet and anyone in possession of a vagina.
The image of The Three Stooges as fearless, anti-fascist crusaders, willing to put their livelihoods and their lives on the line in the noble cause of liberty, will come as a shock to anyone who thinks of them - if they think of them at all - as a fifth-rate Marx Brothers knock-off whose principal contribution to the art of comedy was the twin-fingered eye-poke.
What roused the Führer’s ire was a Stooges two-reeler called You Nazsty Spy!, a ruthless send-up of Hitler and his fascist regime released nine months before Chaplin’s The Great Dictator, a full year before America, still firmly isolationist, entered World War II, and produced in direct defiance of both the censorious Hays Code and the prevailing mood in Hollywood which was, with overseas markets already in jeopardy, to play nice and not rock the Nazi boat. IN 1940, THE IMMENSE POPULARITY OF THE THREE STOOGES WAS DEEMED SUCH A POTENTIAL THREAT to the credibility of The Third Reich that Adolf Hitler added them to his personal death list.
